2017 Oscar Predictions: It’s That Time

la-la-land-oscars


With the Toronto, Telluride, and Venice film festivals behind us, it’s fair to say the Oscar season has begun in earnest. As studios begin positioning their respective titles for maximum exposure and disingenuous feel-goodedness, prognosticators both professional and amateur will start guessing as to the impact of said positioning (and, I guess, said feel-goodedness).

I’ve become increasingly hardened to the Oscar process over the last few years — mostly for overexposure but also for those who take it too personally (“WHY DIDN’T MY FAVORITE MOVIE WIN?!?!?!?”) and not personally enough (“So, Woody Allen might have molested a child … what does it mean for Cate Blanchett’s Best Actress chances? Exclusive breaking story at ClickHerePlease.com.”)

But fuck it, I’m going to give this one a go. (If it distracts me from politics for the next two months, I’ll try anything.) One caveat: I’m only listing titles that have screened at festivals or for critics — basically anything that someone has seen and publicly commented on or written about. Will Silence or Billy Lynn’s Long Halftime Walk sweep this year’s awards? Sure, maybe. But I don’t know anything about that yet, so let’s limit the conversation to known quantities. Seems reasonable, yeah?

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BEST PICTURE (in order of likelihood for a nomination)
La La Land
Lion
Moonlight
Loving
Arrival
Manchester by the Sea
Jackie
Sully
The Birth of a Nation
Hell or High Water

Other possibilities: Nocturnal Animals, Florence Foster Jenkins, Hacksaw Ridge, Love & Friendship, A Monster Calls

Still out there: Silence, Billy Lynn’s Long Halftime Walk, Fences, Hidden Figures, Allied, Passengers, The Girl on the Train, Collateral Beauty, 20th Century Women, Rules Don’t Apply, Gold, Live by Night

It’s a fairly top heavy list with La La Land and Lion feeling like the only possible contenders at this point for a win. But with some major filmmakers still out there, it’s quite possible this category goes through several big shake-ups.

*****

arrival-movie-oscars


BEST DIRECTOR
Damien Chazelle, La La Land
Barry Jenkins, Moonlight
Denis Villenueve, Arrival
Clint Eastwood, Sully
Kenneth Lonergan, Manchester by the Sea

Other possibilities: Garth Davis, Lion; Jeff Nichols, Loving; Nate Parker, The Birth of a Nation; Pablo Larrain, Jackie

Still out there: Martin Scorsese, Silence; Ang Lee, Billy Lynn’s Long Halftime Walk; Denzel Washington, Fences; Theodore Melfi, Hidden Figures; Robert Zemeckis, Allied; Morten Tyldum, Passengers; Ben Affleck, Live by Night

Garth Davis should probably be on here for Lion‘s rapturous reception at TIFF, but he’s a newcomer and his film won’t be as obviously directed as some others in the mix.

*****

casey-affleck-manchester-by-the-sea-oscars


BEST ACTOR
Casey Affleck, Manchester by the Sea
Ryan Gosling, La La Land
Tom Hanks, Sully
Joel Edgerton, Loving
Dev Patel, Lion

Other possibilities: Jake Gyllenhaal, Nocturnal Animals; Nate Parker, The Birth of a Nation; Adam Driver, Paterson; David Oyelowo, A United Kingdom; Joseph Gordon-Levitt, Snowden

Still out there: Denzel Washington, Fences; Andrew Garfield, Silence; Will Smith, Collateral Beauty; Michael Keaton, The Founder; Joe Alwyn, Billy Lynn’s Long Halftime Walk; Brad Pitt, Allied; Chris Pratt, Passengers

With Nate Parker feeling further and further away from the Kodak every day and nothing like Leo last year on the horizon, this category feels like Casey Affleck’s to lose.

*****

natalie-portman-jackie-oscars


BEST ACTRESS
Emma Stone, La La Land
Natalie Portman, Jackie
Ruth Negga, Loving
Amy Adams, Arrival
Meryl Streep, Florence Foster Jenkins

Other possibilities: Amy Adams, Nocturnal Animals; Isabelle Huppert, Elle; Kate Beckinsale, Love & Friendship; Rachel Weisz, Denial; Rooney Mara, Lion; Rosamund Pike, A United Kingdom

Still out there: Viola Davis, Fences; Annette Bening, 20th Century Women; Taraji P. Henson, Hidden Figures; Emily Blunt, The Girl on the Train; Jessica Chastain, Miss Sloane; Marion Cotillard, Allied

This will be the second consecutive year in which Best Actress is the most competitive category at the Oscars. (Side note: These are my favorite years.) Stone and Portman are locked in. The others will move up and down as other titles drop.

*****

jeff-bridges-hell-or-high-water-oscars


BEST SUPPORTING ACTOR
Michael Shannon, Nocturnal Animals
Mahershala Ali, Moonlight
Hugh Grant, Florence Foster Jenkins
Jeff Bridges, Hell or High Water
Aaron Eckhart, Sully

Other possibilities: Lucas Hedges, Manchester by the Sea; Timothy Spall, Denial; Tom Bennett, Love & Friendship; John Goodman, 10 Cloverfield Lane

Still out there: Liam Neeson, Silence; Stephen Henderson, Fences; Steve Martin, Billy Lynn’s Long Halftime Walk; Warren Beatty, Rules Don’t Apply; Kevin Costner, Hidden Figures

No idea. What a weird group.

*****

lupita-nyongo-queen-of-katwe-oscars


BEST SUPPORTING ACTRESS
Michelle Williams, Manchester by the Sea
Naomie Harris, Moonlight
Nicole Kidman, Lion
Laura Linney, Nocturnal Animals
Lupita Nyong’o, Queen of Katwe

Other possibilities: Rachel Weisz, The Light Between Oceans; Helen Mirren, Eye on the Sky; Aja Naomi King, The Birth of a Nation; Julianne Moore, Maggie’s Plan

Still out there: Kristen Stewart, Billy Lynn’s Long Halftime Walk; Octavia Spencer, Hidden Figures; Greta Gerwig, 20th Century Women; Elle Fanning, 20th Century Women; Rebecca Ferguson, The Girl on the Train; Laura Dern, The Founder; Jennifer Jason Leigh, LBJ

Like Supporting Actor, this one feels super strange. That said, the idea of a Williams/Harris horse race for those two particular films is incredibly enticing.

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2 Responses to 2017 Oscar Predictions: It’s That Time

  1. Brittani September 21, 2016 at 10:21 am

    I’d be pretty annoyed if Bridges ended up with a supporting nod for Hell or High Water when Foster was far better.

    I don’t think Girl on the Train will get anywhere near the Oscars either, it looks like they Lifetime’d that film.

    Reply
  2. BlueFox94 September 20, 2016 at 8:13 pm

    To be honest, I don’t think the Oscar season really produces anything of true substance until PGA, DGA, SAG, and BAFTA chime in with their nominations.

    Reply

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